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Digital movie purchases could now be the real successor to 4K Blu-ray

Sony Pictures Core offers 80Mbps streams on compatible Sony devices

Digital movie purchases could now be the real successor to 4K Blu-ray

Manuel Bosque

  • September 13, 2026
  • Updated: September 13, 2026 at 8:32 PM
Digital movie purchases could now be the real successor to 4K Blu-ray

For most people, digital movie ownership now means something different from owning a disc. What you’re usually buying is a license, which is undeniably more convenient and a lot less permanent.

A digital movie purchase feels like ownership. Your films stream right away, take up no shelf space, and don’t require a player. Still, your access depends on servers, apps, DRM, and licensing, so changed terms could take that access away.

Streaming still doesn’t match 4K Ultra HD Blu-ray for quality. A 4K Ultra HD Blu-ray disc typically runs at about 70Mbps to 100Mbps and can peak at 128Mbps. Netflix 4K sits closer to 15Mbps, and Apple TV+ is around 25Mbps. That gap shows up on screen: more banding, more macroblocking, and less detail in dark scenes. For mainstream picture and sound, 4K Ultra HD Blu-ray is still the best format you can buy.

If permanence and picture quality matter to you, 4K Ultra HD Blu-ray is still worth picking up. Streaming accounted for 92% of U.S. home-entertainment spending in 2025, reaching $57.5 billion. Physical media fell 9.3% to $870 million. Even so, 4K disc sales rose 12% in the U.S. and 19.5% in the UK.

There is a higher-bitrate alternative through Sony Pictures Core’s 80Mbps Pure Stream on select Sony TVs and PlayStation hardware, if your internet can handle 43Mbps, with 115Mbps recommended. Even then, Sony Pictures Core’s Pure Stream is still a niche option, 4K Ultra HD Blu-ray discs remain expensive, players are hard to find, and streaming won because it was easier, not because it was better.

Manuel Bosque

Manuel Bosque covers software at Softonic: desktop programs, productivity tools and the small utilities that solve one problem well. His approach is practical — what a program actually does, what it asks in return and who it is for — which is why he distrusts feature lists and prefers to test. He is part of the team that decides how software gets covered on the site, and works daily with AI tools applied to editorial production.

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