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Emerald Fennell's Wuthering Heights divides critics and audiences, does it manage to capture the violence of the original novel or is it just horny?
If Wuthering Heights is immortal, it is because it is not a simple love story, or a love story at all

- February 12, 2026
- Updated: February 12, 2026 at 11:04 AM

The new adaptation of Wuthering Heights directed by Emerald Fennell, which will premiere on February 13 in Spain, has sparked a mix of anticipation and skepticism among film and literature lovers. The controversy is largely due to Fennell’s decision to create a free interpretation of the masterpiece by Emily Brontë, published in 1847, instead of a faithful adaptation of the original text.
Characters with many layers and facets
The novel Wuthering Heights is recognized not only for its destructive love story between Catherine and Heathcliff but also for its deep exploration of human desires and the consequences of obsession in an adverse social context. Brontë, ahead of her time, avoided the idealization of their relationship, presenting it as a cycle of pain and devastation. This complex perspective raises questions about Fennell’s choice to emphasize the visual over the original emotional plot.
Since the release of the trailers, opinions have been divided. Some critics celebrate the gothic aesthetic and the chemistry between stars Margot Robbie and Jacob Elordi. However, others have expressed concern about the perception that the adaptation might sacrifice the emotional essence of the work, pointing out similarities to titles like Fifty Shades of Grey in terms of the sexualization of the narrative and the omission of fundamental subplots that add depth to the characters.
This type of debate is common in contemporary adaptations; some see reinterpretation as a way to revitalize a classic, while others fear that the richness of the original text will be lost in favor of a more eye-catching presentation. With the premiere on the horizon, it remains to be seen how audiences will receive this new vision of a literary classic that never offered an idealization of its protagonists.
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