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This movie has managed to surpass Oppenheimer, and we could say it’s “its sequel”

"Godzilla Minus One" has been a box office hit, but beyond that, it's been such a resounding success on IMDb that it's the highest-rated movie of the year on the platform.

This movie has managed to surpass Oppenheimer, and we could say it’s “its sequel”
Álvaro Arbonés

Álvaro Arbonés

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Competing at the box office against Oppenheimer this year isn’t something many releases could claim. Nolan’s movie has been a resounding success, and very few others could say they had the capacity to stand face to face against it. However, there’s been a film that not only managed to cast a shadow over it but actually surpassed it. In a way, we could say it’s its sequel—well, if we consider that the consequences of Oppenheimer set the stage for the events in this movie.

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According to Box Office Mojo, the new movie featuring our favorite saurian, “Godzilla Minus One,” has managed to reach the top spot among the highest-grossing movies in the United States. By earning $1,225,396 last Monday, it became the highest-grossing movie in the United States and Canada. As of this past Monday, it has amassed $12,645,371 at the U.S. box office.

This means that Godzilla made around $11 million in its first three days in the U.S. Box Office Mojo reports specifically $11,419,975 in its opening weekend, shown across 2,308 screens. This is an absolutely astounding amount, considering that Oppenheimer opened with a spectacular $82.4 million and Barbie with $155 million, doubling the number of screens.

Where has Godzilla: Minus One managed to win? In being the highest-rated movie of the year. While Oppenheimer had comfortably sat at an 8.4 on IMDb, Godzilla Minus One has surpassed it with a spectacular 8.5. Both films this year were only surpassed by Spider-Man: Into the Spider-Verse, which achieved an 8.7. Yet, this leaves Godzilla Minus One as the highest-rated live-action movie of the year.

For a Japanese Godzilla movie, this is a resounding success. It demonstrates a genuine interest in the character beyond its American version. Hopefully, this will be noted by the Japanese, leading to more frequent releases of their films in the West.

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Álvaro Arbonés

Álvaro Arbonés

Cultural journalist and writer with a special interest in audiovisuals and everything that can be played. I'm not here to talk about my books, but you can always ask me about them if you're curious.

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