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Alex Garland confirms no sequel for Annihilation despite critical acclaim
Acclaimed director Alex Garland confirms he won't continue the story of "Annihilation," viewing it as a complete work rather than a franchise opportunity

- June 8, 2025
- Updated: June 8, 2025 at 1:50 PM

Acclaimed director Alex Garland, known for his work in science fiction with films like “Ex Machina” and “Annihilation,” has confirmed that he has no interest in continuing the story of “Annihilation” despite its intellectual acclaim.
The film, which starred Natalie Portman and explored complex themes in a strange, altered universe, was initially met with mixed commercial success, grossing just $43 million against a budget of $40 million.
Its limited release in select cities, coupled with its availability on Netflix in some regions, likely contributed to its underwhelming box office performance.
Garland Prefers Original Storytelling Over Revisiting Annihilation’s Universe
“Annihilation,” adapted from the first book in Jeff VanderMeer’s Southern Reach trilogy, deeply resonated with critics who praised its ambitious narrative and brain-bending visual style. Reviewers noted that the film leaves audiences with profound questions to ponder long after the credits roll, establishing a thoughtful discourse that is rare in contemporary cinema.
However, Garland has made it clear that he perceives the film as a standalone project rather than the beginning of a franchise. “I feel that we’ve made this movie, and this is the movie we’ve made,” he stated in a 2018 interview with IndieWire.
Garland’s decision not to pursue sequels stems from his creative philosophy. He emphasized that he prefers to move on to new ideas rather than revisit previous projects.
“When something is finished, I’m done with it,” he explained, indicating his intent to remain focused on original storytelling. While the studio could have potentially brought in other directors to adapt the subsequent novels, Garland’s absence leaves the future of the Southern Reach trilogy in cinematic limbo.
Fans of the peculiar narrative may now have to settle for what Garland has already crafted rather than a broader cinematic exploration of VanderMeer’s eerie universe.
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