This Netflix miniseries went unnoticed and is an excellent period crime story

The acclaimed screenwriter and director Sarah Polley has left an indelible mark on the contemporary entertainment landscape. A couple of years ago, Polley received the Oscar for her screenplay in Women Talking, an adaptation of Miriam Toews’ novel. Despite this recognition, some critics have pointed out that this work has not reached the brilliance of previous projects, such as her miniseries adaptation of Alias Grace, a work based on Margaret Atwood’s novel.

A story about crime and inequality

Alias Grace addresses a real crime from the 19th century in Canada, focusing on the interviews between a doctor and a young Irish immigrant convicted of murder. This story explores not only the criminal aspects but also the complexity of the protagonist’s psychological state and lost memories, creating an atmosphere of mystery that keeps viewers on the edge of their seats. Sarah Gadon’s performance as the titular character has been praised for her ability to convey the emotional ambiguity of the character, which is vital to the series’ narrative.

The miniseries stands out for its attention to gender inequalities, class struggles, and the complexity of justice. Mary Harron’s direction, notable for its control and subtlety, complements Polley’s script, creating a work that has been considered one of the best miniseries produced by the platform. With episodes that do not exceed forty minutes, the series achieves an effective distribution of its narrative, avoiding the unnecessary elongation often seen in the era of “Peak TV.” Additionally, it includes a cameo by David Cronenberg that adds a special touch to the production.

As Polley’s projects continue to evolve, the adaptation of Alias Grace remains a standout example of her narrative talent and her ability to explore complex themes in a social and psychological context.

Netflix DOWNLOAD